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Over the Mountain
Kenny Jackson and Friends
5-String Productions CD04002

Wake Robin/Boatsman / Black Jack Grove / Eighth Day of January / Henry Lee / Nubbin Ridge / Brad Walters / Little Devil Waltz / Little Birdie / No Corn on Tygart / Midnight / Ashcan Blues / America Baily / The Peddler and His Wife / Lady Gay / Flander's Dream / Tomahawk / Over the Mountain / Silver Strand

Previews of album tracks:

Wake Robin/Boatsman Marcus Martin's response, when asked by Alan Lomax what he thought music was for, was that it was ''for the upbuilding of people...the most high thing". I learned both of these tunes from field recordings Lomax made of Martin near Asheville, North Carolina in 1941 for the Library of Congress.
Little Birdie One of my favorite old-time banjo players has long been Morgan Sexton, who lived and died among the rugged hills and narrow valleys of southeastern Kentucky. His beautiful two-finger banjo style and his singing inspired me to work up this version of a much-played old banjo song. Kenny on banjo and vocal, Rayna on harmony vocal.
Eighth Day of January This isn't much like the Eighth of January that is more widely played by fiddlers. My version is based on that of Jim Bowles, who was born in 1903 in Monroe County, Kentucky, and died in 1993. Bowles' powerful, expressive, often bluesy playing has become some of my favorite fiddle music. Kenny on fiddle, Whitt on banjo.

Ashcan Blues I got inspired to make this tune while spending a week teaching fiddle at Jay Ungar and Molly Mason's Ashokan FIddle and Dance Camp in 2003. Kenny on fidle, Whitt on banjo, Paula on guitar.
The Peddler and His Wife I learned this tragic ballad from a 1920s recording of Kentucky banjo player Hayes Shephard. His crisp, driving two-finger banjo style and high lonesome singing presaged bluegrass music by two decades. Kenny on fiddle and vocal, Paula on guitar and vocal.
Over the Mountain Years ago I bought a reissued recording of Uncle Dave Macon, which included this song, with Uncle Dave playing banjo, singing, and backed up on harmony vocals by the great Delmore Brothers. It's one of my favorite happy old-time songs, devoid of tragic and untimely fates. Kenny on banjo, Rayna on harmony vocal, Paula on guitar.
Silver Strand This rendition, full of sweet longing and fond remembrance, is inspired by the playing of another Kentucky fiddler, Bill Stepp, who was recorded in 1937 by Alan Lomax in Salyersville. Kenny and Rayna on fiddles.

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