Wake
Robin/Boatsman
Marcus Martin's
response, when asked by Alan Lomax what he thought music was for,
was that it was ''for the upbuilding of people...the most high thing".
I learned both of these tunes from field recordings Lomax made of
Martin near Asheville, North Carolina in 1941 for the Library of Congress.
Little
Birdie
One of my favorite old-time banjo players has long been Morgan Sexton,
who lived and died among the rugged hills and narrow valleys of southeastern
Kentucky. His beautiful two-finger banjo style and his singing inspired
me to work up this version of a much-played old banjo song. Kenny
on banjo and vocal, Rayna on harmony vocal.
Eighth
Day of January
This isn't much like the Eighth of January that is more widely played
by fiddlers. My version is based on that of Jim Bowles, who was born
in 1903 in Monroe County, Kentucky, and died in 1993. Bowles' powerful,
expressive, often bluesy playing has become some of my favorite fiddle
music. Kenny on fiddle, Whitt on banjo.
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Ashcan
Blues
I got inspired to make this tune while spending a week teaching
fiddle at Jay Ungar and Molly Mason's Ashokan FIddle and Dance Camp
in 2003. Kenny on fidle, Whitt on banjo, Paula on guitar.
The
Peddler and His Wife
I learned this tragic ballad from a 1920s recording of Kentucky
banjo player Hayes Shephard. His crisp, driving two-finger banjo
style and high lonesome singing presaged bluegrass music by two
decades. Kenny on fiddle and vocal, Paula on guitar and vocal.
Over
the Mountain Years ago I bought a reissued recording
of Uncle Dave Macon, which included this song, with Uncle Dave playing
banjo, singing, and backed up on harmony vocals by the great Delmore
Brothers. It's one of my favorite happy old-time songs, devoid of
tragic and untimely fates. Kenny on banjo, Rayna on harmony vocal,
Paula on guitar.
Silver Strand
This rendition, full of sweet longing and fond remembrance,
is inspired by the playing of another Kentucky fiddler, Bill Stepp,
who was recorded in 1937 by Alan Lomax in Salyersville. Kenny
and Rayna on fiddles.
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